Mira
Walk David through the board, record his exact content decisions, and lock the sequence. Approval of this document is not approval of final timing.
THE DECISION
Review the sequence before editing
Use DSC00288 once at the opening and DSC00179 as a brief contrasting moment. Remove the older London reveal and the blurred speaking/walk-through composite. Preserve the selected art, gallery context and earlier replacements.
DIRECT CLIENT RECORD
What David actually asked to change
Source: supplied call transcript and WhatsApp screenshots. David approved the moon portrait and conditionally accepted the smiling portrait; placement and timing below are editorial proposals, not client approval.
Pace
Audio
APPROVAL CONTROL
Two locks, in the right order
Autosave ready
Do not send a new animation brief to Alexander until content and sequence are approved.
RECOMMENDED CUT
Keep the film.
Replace the casting.
17decision beats
4replacements
—proposed shot allocations
Two new portraits with different roles, not four similar poses. One dedicated moon opening; DSC08406 remains as gallery context with an incidental moon. DSC08330 and its saved crop remain unchanged. The 10-frame fade setting is preserved. These are shot allocations, not a newly rendered runtime.
EDITABLE SEQUENCE
Current film, divided into decisions
Drag the numbered tabs or use the arrows. “Replace” opens the rediscovered source library. Every change is saved to the shared board and remains available across computers.
ONE CONSOLIDATED HANDOFF
Ivan
Build only the approved press or book graphic modules. Use large, verified assets that remain readable on a phone.
Alexander
Receive one exported brief after content lock. Make one timed rough cut, then adjust motion and music from that approved structure.
David
Approve the content/order first, then separately approve the timed rough cut before launch. This makes him part of the process early, not upset at the end.